CD Review: Andy Ezrin, "I Was Here"

 

The title of Andy Ezrin's new CD, "I Was Here" was picked because Andy Ezrin was a prodigy on Piano since childhood.  When other boys were saving up for Strats and collecting Hendrix recordings, Ezrin was already in love with the Piano.  His first professional gig was at the age of 12, and with the advantage of starting his learning career so young, he was able to listen and acquire musical knowledge with many different schools of music provided by major Jazz players like Andre Previn, Oscar Peterson, Keith Jarrett and the Fusion years players like George Benson and Herbie Hancock.  He learned his lessons well as you will hear on "I Was There" where Ezrin showcases not only his playing skills but also his brilliance in composing.  Ezrin composed the 13 songs on this CD.  The playing and the composing of Ezrin's music is outstanding.  Sometimes when listening to new music,  it requires hearing it more than once before you can understand the greatness of the composing.  Not with Ezrin's compositions; while they possess tenderness they also project happiness that allow the listener to assimilate the music at first hearing.  

"I Was There" is a powerhouse of Jazz music!  I would like to share some of the promotion notes written by Adam Gopnik that were given to me with this CD because they are so wonderful and so true.  "No Instrument in Jazz has been more fertile, adaptable and misleadingly evasive than the piano.  The most workaday of all instruments-the lectern or drawing board where musicians teach, singers learn, songs get composed, recomposed, arranged and rearranged.  It has also been the place of the most sublime flights into personal ecstasy, as with Bill Evans and Keith Jarrett.  The Piano also displays the most virtuosic technique as with Art Tatum and Oscar Peterson, or the place of the most profound pure thoughts in Jazz, as with Bud Powell, Lenny Tristano and John Lewis."  These wonderfully written words were prompted after listening to the music of Andy Ezrin.   

PLAYERS:

Andy Ezrin- Piano, Rhodes, Compositions, Arrangement, Leader

Randy Brecker- Trumpet

Donny McCaslin- Tenor Sax

John Patitucci- Bass

Marcus Gilmore- Drums

Ari Hoenig- Drums

PLAYLIST:

1. Grapes

2. This Is What It Is

3. Greenwoman

4. Luna

5. Siren Song

6. Snowfall

7. Ain't That Some Shit

8. If I Don't See You

9. Wiggle Room

10. Never Enough

11. I'm Runnin' Outta Time

12. Lost Days

13.. Cascades- Andy Exrin Solo

    

                                                                            "I Was There"

"Never Enough"

 

Ben Webster: Remembering The Jazz Greats: Chapter 12

                                                        Ben Webster and Art Tatum

Ben Webster was one of the most influential American Jazz Tenor Sax players and a member of the most important "Swing Tenors" group that included Coleman Hawkins and Lester Young.  His tone was considered tough and raspy, but I always loved the way he played with warmth on ballads. He really made his mark playing with the Duke Ellington Orchestra starting in 1935 and lasting until 1943. After leaving the Ellington band because of a bitter run-in with Duke, Ben played gigs in New York City for several years.  Then in 1953, he recorded "The King of Tenors" with the great Oscar Peterson which solidified his Jazz status as one of the Great American Jazz giants. In the 1950's Ben formed a quintet with Gerry Mulligan and frequently played in the LA area at a club called "Renaissance".

In 1964, he moved to Europe permanently to join other American Jazz musicians and continued to perform there until his death in 1973.

For your listening enjoyment, I have attached three terrific "Youtube" videos highlighting the great talents of Ben Webster especially on ballads.

                            "When I Fall In Love" from the album "Ben Webster For Lovers"

                                  "Blue Moon" From Album "Ben Webster With Strings"

                                             "My One And Only Love" with Art Tatum