On Saturday, December 4 my wife and I attended the Marilyn Maye show at NJPAC titled: "Mercer...The Maye Way". As we were leaving the theatre, I knew writing a review would be very difficult. It is hard to find words to express and capture the talents of such a polished and talented performer. It's not just her voice that captures everyone in the audience. It's her stage presence and understanding of the meaning of the music and lyrics she sang. Sinatra once say that there were three qualities a singer must possess in order to become a major star. One of the three was that a singer needed to project a personality to the audience that would make them wish they could hang out with the singer. Let me just get it out... I wish I could hang out with Marilyn Maye and gain insight about her life and how she has chooses her music. She needs to write a book, and I would offer a possible title: "The Maye Way".
Marilyn's program on Saturday evening was all Johnny Mercer with the exception of the first two songs. Marilyn hit the ground running with an up tempo version of the great Jerome Kern and Oscar Hammerstein II song "The Song is You". She followed with "Love Being Here With You". Lyrics written by Peggy Lee and music by Bill Schluger. From this point on it was all Johnny Mercer and Marilyn Maye. Marilyn sang an unbelievable 30 Johnny Mercer songs in an hour and 15 minutes without coming up for air. I think most of us have an appreciation for the songs and lyrics of Johnny Mercer but once you hear someone as talented as Marilyn Maye sing his songs one after another, you can't help but be in awe of this man's ability to write lyrics that tell stories we can all relate to. Marilyn spoke of her admiration and love of Mercer's Music and the effort it had on her. She then added that she never got the chance to meet him but if she did, she most likely would have married him. My take is a little different, if Johnny Mercer ever heard Marilyn Maye sing his songs, he would have wanted to married her!
I would like to list just a few of my personal favorite Johnny Mercer songs that Marilyn sang:
1. Satin Doll
2. Summer Wind
3. Moon River
4. Come Rain or Come Shine
5. The Days of Wine & Roses
6. That Old Black Magic
7. Goody Goody
8. I'm Old Fashioned
9. Day In, Day Out
10. Too Marvelous For Words
11. Emily
12 Drinking Again
13. Laura
No one who loves songs and lyrics from the greatest American composers should miss the chance to hear Marilyn Maye sing live. Don't take my word for it, listen to Ella Fitzgerald who called Marilyn "The greatest white female singer in the world".
If it was within my power, I would make it a requirement for all young singers to see and listen to Marilyn Maye before they ever perform. She sets the mark for all American singers both young and old.
Showing posts with label NJPAC. Show all posts
Showing posts with label NJPAC. Show all posts
Tuesday, December 7, 2010
Tuesday, November 16, 2010
Wynton Marsalis And The Jazz At Lincoln Center Orchestra: Jazzmen Exceptional
Take one part Billy Strayhorn, add one part Duke Ellington, one part Stan Kenton, one part Maynard Ferguson, and one part Arturo Sandoval and what do you get? "The Jazz at Lincoln Center Orchestra", that's what! Friday night November 12, I had the listening pleasure of hearing and seeing Wynton Marsalis and the "Jazz at Lincoln Center Orchestra" at NJPAC. This group is comprised
of 15 of the best soloists I have ever heard in one place at any time in my musical life. With most jazz orchestras of this size, maybe you get to see four or five of the members playing a solo, but not in this orchestra. Every one of the 15 had their shot at a solo before the one hour and forty-five minute show was over. The orchestra consisted of five saxes, four trumpets, three Trombones, one bass, drummer and piano player. The highlight of the evening for me was when the orchestra played the Duke Ellington's arrangement of "The Peanut Vendor". This song brought me back to the late 50's, a time when I listened to this song over and over again played by the great Stan Kenton band with Maynard Ferguson on trumpet. Here it is 50 years later and the song, the arrangement and the orchestra never sounded better. Wynton Marsalis is clearly a musical genius by any measure and one of the good guys of jazz. His resume is just unbelievable. He began his classical training at the age of 12 and attended the Julliard School at age 17. He made his recording debut in 1982 and has since recorded more than 70 Jazz and Classical albums. He has won nine Grammy Awards and in 1983 became the first artist to win both a Classical and Jazz Grammy in the same year and he repeated this feat in 1984. It's clear he is a classic jazz gentleman. He still loves to play and play he did, preferring to sit with the trumpet section and be one with the band. All and all, a totally enjoyable evening!
of 15 of the best soloists I have ever heard in one place at any time in my musical life. With most jazz orchestras of this size, maybe you get to see four or five of the members playing a solo, but not in this orchestra. Every one of the 15 had their shot at a solo before the one hour and forty-five minute show was over. The orchestra consisted of five saxes, four trumpets, three Trombones, one bass, drummer and piano player. The highlight of the evening for me was when the orchestra played the Duke Ellington's arrangement of "The Peanut Vendor". This song brought me back to the late 50's, a time when I listened to this song over and over again played by the great Stan Kenton band with Maynard Ferguson on trumpet. Here it is 50 years later and the song, the arrangement and the orchestra never sounded better. Wynton Marsalis is clearly a musical genius by any measure and one of the good guys of jazz. His resume is just unbelievable. He began his classical training at the age of 12 and attended the Julliard School at age 17. He made his recording debut in 1982 and has since recorded more than 70 Jazz and Classical albums. He has won nine Grammy Awards and in 1983 became the first artist to win both a Classical and Jazz Grammy in the same year and he repeated this feat in 1984. It's clear he is a classic jazz gentleman. He still loves to play and play he did, preferring to sit with the trumpet section and be one with the band. All and all, a totally enjoyable evening!
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