Showing posts with label Kenny Barron. Show all posts
Showing posts with label Kenny Barron. Show all posts

Wednesday, October 7, 2026

CD Review: Kenny Barron Trio: “So Many Lovely Things: Live in Brecon” — A Jazz Treasure Finally Comes to Light


Elemental Music has released a never-before-heard 1995 concert recording, “So Many Lovely Things: Live in Brecon,”featuring Kenny Barron on Piano, Ray Drummond on Bass and Ben Riley on Drums. The recordings were captured live on August 12, 1995, at the Brecon Jazz Festival in Wales, during the trio’s European tour. The tapes were preserved for more than 30 years in the Jordi Suñol Archives before finally being released.

This music is so wonderful and inspiring, and it’s amazing to me to consider that this music was recorded over 30 years ago. The music still sounds new, innovative and exciting. That is one of the great things about Jazz: when the musicians are this good, the music never gets old!

I have found that in a lot of Piano Jazz Trios, the Pianist—especially with the talent level of a Kenny Barron—can tend to overpower the Bass and Drums. But The Kenny Barron Jazz Trio recorded here sounds like one voice rather than three musicians playing together. That, to me, is what makes this recording so special.

Kenny Barron, Ray Drummond and Ben Riley were three extraordinary musicians, but they were also extraordinary listeners. There is a remarkable sense of communication throughout this recording. Drummond’s bass is never simply there to keep time, and Riley’s drumming is never just accompaniment. They are constantly responding to Barron, and Barron is responding right back to them.

If someone asked me, “What’s so special about Jazz?” I would play a cut from this album and, within a short time listening to this music, I am sure they would have their answer.

And what a trio this was!

Ray Drummond was a master Bass player whose playing combined tremendous technique with warmth, swing and a wonderful melodic sense. Ben Riley, who was famously associated with Thelonious Monk, brought an incredible sense of time and subtlety to the drums. Together with Barron, they created a trio that could swing hard, play with incredible delicacy and, most importantly, listen to one another.

Here’s what master Bass player Ray Drummond had to say about Kenny Barron:

“Even before I met Kenny, he was clearly one of THE Pianists. He’ll attack any piano and make it sound like Kenny Barron. I’ve always admired his sense of harmony and melodic development—redeploying melody in complex ways. He’s so flexible and knowledgeable that he’s authentic in any style of the Jazz Universe.”

Kenny Barron adds:

“On a personal level, it was a great trio. I can’t recall a sour moment. I loved the way Ray played—solid, with great time and personality. The way he and Ben grooved together was perfect. If this concert turned into something special, it happened organically. When momentum builds, it’s because of everyone’s contribution. It was a group effect.”

I think that last statement really says it all: “It was a group effect.”

That group effect can be heard from the opening notes of the album. The trio moves effortlessly through standards, ballads, original compositions and music associated with Thelonious Monk. There are ten performances spread over two CDs, and each one gives the musicians room to stretch out and communicate.

The opening selection, “Oh, Look At Me Now,” immediately gets your attention. It swings, it has energy, and it gives you an early indication of just how closely these three musicians are listening to one another.

There are also beautiful moments of tenderness. Kenny Barron’s treatment of “The Very Thought of You” is a wonderful example of how a great Jazz musician can take a familiar song and make it sound fresh and personal.

The album also includes two Thelonious Monk compositions, “Ask Me Now” and “Shuffle Boil,” giving Barron an opportunity to demonstrate his deep understanding of Monk’s music while still putting his own unmistakable personality into the performances.

Another special moment is Barron’s solo performance of “Silent Rain.” It gives us the opportunity to hear his extraordinary harmonic and melodic imagination without the trio around him. Then, when the trio comes back together, you are reminded once again how much these musicians have to say to one another.

I have attached two songs from “So Many Lovely Things: Live in Brecon” for you to enjoy!

The first is from composer Joe Bushkin, “Oh, Look At Me Now.”

The second song is the tender ballad “The Very Thought of You” from composer Ray Noble.

If you are a fan of the Piano Jazz Trio, I strongly recommend that you seek out this recording. If you are new to Jazz, this is also a wonderful place to start.

“So Many Lovely Things: Live in Brecon” is more than a recording from the past. It is a wonderful reminder that great Jazz does not have an expiration date.

Put this album on, close your eyes, and listen to three great musicians having a musical conversation.

That’s Jazz!


PLAYLIST

CD 1

  1. Oh, Look At Me Now — Joe Bushkin / John DeVries
  2. Up Jumped Spring — Freddie Hubbard
  3. Shuffle Boil — Thelonious Monk
  4. Time Was — Al Stillman / Lew Brown
  5. Silent Rain — Kenny Barron
  6. Ask Me Now — Thelonious Monk

CD 2

  1. Nikara’s Song — Kenny Barron
  2. The Surrey With the Fringe on Top — Richard Rodgers / Oscar Hammerstein II
  3. The Very Thought of You — Ray Noble
  4. Canadian Sunset — Eddie Heywood / Norman Gimbel

PLAYERS

Kenny Barron — Piano
Ray Drummond — Bass
Ben Riley — Drums

Recorded: August 12, 1995
Location: Brycheiniog Theatre, Brecon, Wales
Festival: Brecon Jazz Festival
Label: Elemental Music
Release: 2026
Format: 2-CD Deluxe Edition

Produced by Zev Feldman and Jordi Suñol. The recording was restored and mixed by Marc Doutrepont and mastered by Matthew Lutthans at The Mastering Lab. The release includes liner notes and tune annotations by noted jazz journalist and historian Ted Panken.







 
                                                                "Oh, Look At Me New"
                                                               "The Very Thought Of You"


Sunday, June 21, 2026

CD REVIEW: Chris Rottmayer & Kelsey Wallner Create Pure Jazz Magic on Playing Favorites


          Chris Rottmayer & Kelsey Wallner Create Pure Jazz Magic on Playing Favorites
 
"Playing Favorites" is a terrific new Jazz CD recently released by Pianist Chris Rottmayer in collaboration with Vocalist Kelsey Wallner. The idea for this album emerged from a 2025 festival booking in Madison, Wisconsin. Chris and Kelsey had worked together previously in Madison and decided it was time to do an album together.

Chris brought in two very talented friends to join him and Kelsey on this CD; Bass player Clark Sommers and Drummer Matt Endres. I have to admit that when Chris Rottmayer, Clark Sommers and Matt Endres are playing together the sound is as good as it gets for Jazz Piano trios. These three musicians are at the top of their Jazz game. And when you add in the glorious voice of Kelsey Wallner, the music becomes magic.

I liked everything about "Playing Favorites". The playlist is loaded with great Brazilian music from Ivan Lins, Antônio Carlos Jobim, and Dori Caymmi plus some outstanding standards. The album has a very natural and intimate feel, almost like sitting in a small jazz club listening to four musicians completely locked in with one another.

I particularly liked how the standard, "Everything Happens To Me" was arranged and sung by Kelsey. Her phrasing is relaxed and confident, and she never over-sings the tune. Chris’s piano playing throughout the album is sensational. His touch, voicings and harmonic ideas constantly push the music forward while still leaving room for the melody to breathe. Clark Sommers and Matt Endres are equally impressive, creating grooves that swing hard while also bringing tremendous subtlety and taste to the quieter moments.

The second tune that really caught my attention was Jobim’s "One Note Samba", which highlights Kelsey’s personal love for Brazilian music. The rhythm section settles beautifully into the Latin groove and Kelsey sounds completely at home with the material. There is an elegance and sophistication throughout the performance that makes the track one of the highlights of the CD.

I also enjoyed the trio performances on Kenny Barron’s "Voyage" and Cedar Walton’s "Firm Roots". These instrumental tracks allow Chris, Clark and Matt to stretch out and demonstrate just how well they communicate musically. The interplay between these musicians is first class Jazz playing.

Another pleasant surprise on the album is hearing Kelsey Wallner’s original compositions, “I’m Too Sweet” and “Love Ain’t Free.” Both songs fit naturally alongside the standards and Brazilian classics, and they give listeners another look at her talents as both a vocalist and songwriter.

"Playing Favorites" is one of those albums that feels timeless from the very first listen. The performances are classy, swinging, melodic and filled with genuine emotion. If you are a fan of great piano trio Jazz, outstanding vocals, and Brazilian influenced arrangements, this CD deserves a spot in your collection.

Players

  • Chris Rottmayer – piano
  • Kelsey Wallner – vocals
  • Clark Sommers – acoustic bass
  • Matt Endres – drums

Playlist

  1. Everything Happens To Me
  2. One Note Samba
  3. Voyage
  4. Velho Piano
  5. On The Street Where You Live
  6. Firm Roots
  7. Sail Away
  8. I’m Too Sweet
  9. Love Ain’t Free
  10. Love Dance
  11. Never Will I Marry 
 
                                                        "Everything Happens To Me"

            
"One Note Samba"    
    


Tuesday, June 4, 2013

Pre-Release CD Review: Frank Wess, "Magic 101"


When I was playing sax at age 15, two of my earliest influences were Lester Young and Ben Webster. As I reflect back, one of the reasons I love these two Tenor sax players and many others from this golden area of Tenor Sax players was because each one of them had the ability to play ballads in a way that would bring the lyric to life. According to the liner notes I read, "Both Young and Webster always said that they always thought about the lyrics to each song as they played". In this CD, Frank Wess brings new life to some gold plated standards, remaining loyal to melody, projecting the emotion of the lyrics and yet producing a new version of songs we have listened to our whole lives.

If you were a fan of the post-World War II Tenor Sax greats, you will get great pleasure listening to this New CD.  Frank has selected a splendid assortment of 7 songs including 4 ballads, and three other classic Jazz tunes.  Frank is supported by a very accomplished rhythm section consisting of Kenny Barron on Piano, Kenny Davis on Bass and Winard Harper on Drums.

By the way, not that you could tell from Frank Wess' fabulous playing, but he is 91 years of age!  My personal thanks to Mr. Wess for giving new life to all the great Tenor memories that have been stored in my memory since I was a teenager.

          Songs on the CD
Say It Isn't So                                       Berlin
The Very Thought of you                    Noble
Pretty Lady                                           Wess
Come Rain Or Come Shine                  Mercer & Arlen
Easy Living                                          Robin & Ranger
Blue Monk                                           Monk
All Too Soon                                       Ellington

This CD will be available in June 2013.



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