Showing posts with label Luther Allison. Show all posts
Showing posts with label Luther Allison. Show all posts

Sunday, July 20, 2025

CD Review: James Zito, "Zito's Jump"

Guitarist and composer James Zito makes a powerful and compelling debut as a bandleader with "Zito’s Jump",  a richly conceived album that showcases not only his exceptional guitar skills but also his remarkable gifts as a composer and arranger. At just 28 years old,  Zito demonstrates a depth of musicality and maturity that belies his age, drawing clear inspiration from jazz legends Wes Montgomery, Les Paul, and George Benson—yet bringing his own fresh voice to the genre with confidence and finesse.

The album is a well-crafted journey through twelve tracks, seamlessly blending six Zito originals with six timeless jazz standards. The interplay between the new and the familiar is so fluid that it becomes difficult to distinguish where tradition ends and innovation begins. Zito’s original compositions—such as the title track "Zito’s Jump", the breezy "Island Girl", and the beautifully lyrical "Pense Nisso" (“Think About It”) in Portuguese)—stand shoulder to shoulder with standards like "The Nearness of You", " and the upbeat classic "After You’ve Gone".

"After You’ve Gone" is given a spirited and modern reading, brimming with swing and personality. In contrast, "Pense Nisso" reveals Zito’s more introspective side—a melodic and harmonically rich composition that lingers long after the final chord fades. These two selections alone offer a glimpse into Zito’s range, from exhilarating virtuosity to poignant lyricism.

Zito’s band on this album is nothing short of stellar. Featuring jazz luminaries such as drummer Joe Farnsworth and bassist Rodney Whitaker, as well as a dynamic lineup of emerging talents including Luther Allison on piano and Chris Lewis on tenor sax and flute, the ensemble brings Zito’s vision vividly to life. Vocalists Georgia Heers and Tyreek Mcdole add further texture and soul to the project, while the horn section—including Nicholas DiMaria (trumpet), Joseph Miller (alto sax), Jack Kotze (trombone), and Jarien Jamanila (baritone sax)—adds depth and swing in all the right places.

A New York City native, Zito has already graced the stages of top-tier jazz venues such as Dizzy’s Club Coca-Cola, Rose Hall, Birdland, The Django, and The Blue Note. His recent completion of Juilliard’s prestigious Artist Diploma program adds another layer of credibility to his rapidly rising career.

"Zito’s Jump" is a confident and exciting debut—one that not only honors jazz tradition but also pushes it forward. James Zito is clearly an artist to watch, and this album is a strong indication that his voice will be an influential one in the next generation of jazz. I thoroughly enjoyed this recording and eagerly await what Zito will share with us next.

I have attached two songs from the album, the first is an up-tempo version of the classic evergreen, "After You Have Gone" and the second is a beautiful Zito original composition entitled,  "Pense Nisso"  that means "Think About It" in Portuguese.                                             

                                                                    "After You've Gone"

                                                                        "Pense Nisso"
PLAYERS:
James Zito- Guitar, Compositions, Arrangements
Joe Farnsworth- Drums
Rodney Whitaker- Bass
Luther Allison- Piano
Chris Lewis- Tenor Sax, Flute
Georgia Heers- Vocalist
Tyreek Mcdole- Vocalist
Nicholas DiMaria- Trumpet
Joseph Miller- Alto Sax
Jack Kotze- Trombone
Jarien Jamanila- Baritone Sax

Playlist:
1. Zito's Jump
2. Bird In The Wind
3. Island Girl
4. Time Zone
5. Ready 'N Able
6. Pense Nisso
7. Minor Lies
8. The Nearness Of You
9. The End Off a Love Affair
10 After You've Gone
11. It Could Happen To You
12. After You've Gone (Alternate Take)




Tuesday, March 29, 2016

The Laurie Morvan Band Plays "Rockin" Blues at Woody's in Palm Springs, CA







Today's guest Reviewer is "The Blues King", Tim Marchio.   This is Tim's second guest review for the Music Man Blog,  and I am sure you will enjoy it as much as his first.  Tim is a long-time Blues fan, and he also plays Blues on his Guitar.

The Laurie Morvan Band, a five piece ensemble plays the Blues at Woody's in Palm Springs most Thursdays nights.  I mean, really plays the Blues.  I expected a good time as I truly enjoy the Blues, especially live.  However, I was not prepared for what I heard.  The band consists of Keyboardist Tom Salyers, Bassist Pat Morvan, Drummer Lonnie Jones and backup Vocals by Lisa Morvan

Laurie in particular, was great.  Not good, but great.  They started with a classic B. B. King tune, “The Thrill is Gone”.  The guitar was tight and the band nailed it.  I must admit, it was a bit out of the ordinary to hear a woman sing such a well-known B. B. song.  But she did a good job, making you feel it.  Then the night took off from there.  Laurie is an outstanding guitarist.  In an intimate club like Woody’s, she easily connected with the crowd.  The band played original tunes mixed with classics from Albert King, Luther Allison and Stevie Ray Vaughan.  Laurie was masterful, her singing got stronger throughout the night and her renditions worked marvelously. 

The band has accumulated several awards from the International Blues Challenge including, Best Self-Produced CD (2010) and top10 finalist in the Live Band Competition (2008).  Other accolades include twice being named the House of Blues Radio Hour “Blues Breaker” artist of the week, a B.B. King’s Bluesville “Picks to Click”, and winning the Blues Festival Guides’ 2008 Blues Artist on the Rise Award.

Now, about her guitar playing; in her opening song, she sounded like early Clapton channeling BB King.  For the rest of the night, she jumped, jived, played fast and slow.  She played most songs had more than one solo and it worked every time.  I was amazed at her technical skills, but the Blues is all about the feel, the visceral effect  of the playing is what will move the listener.  In that, she sold it.  She lives the Blues, and her dedication was obvious.  I saw Joe Bonamassa last summer in a small arena and I enjoyed Laurie's show much more.  Laurie can play fast, real fast, but fast doesn’t necessarily always mean “good”.  She is both.  If I could play guitar like that for one night with that band, I would not stop until dawn. 

The Laurie Morvan Band sells CDs on their website (www.LaurieMorvan.com).  You should visit her site and purchase at least one.  I know I will.  There is a live "YouTube" of tonight's performance for your listening and viewing enjoyment.


     











CD Review: Keith Oxman Returns to the Heart of Jazz with “Home”

                                     Keith Oxman Returns to the Heart of Jazz with “Home” Acclaimed tenor saxophone player Keith Oxman has ...